William Carlos Williams wrote the poem “The Red Wheelbarrow”. Each two-line stanza in this poem looks like a wheelbarrow. The first line is longer than the second, creating an image of a wheelbarrow. Well, a very crude image, but an image of a wheelbarrow all the same. Interestingly enough, the original title of the poem wasn’t “The Red Wheelbarrow”.
When it was first published, it was called “XXII”, which is the roman numeral for 52.
Anyway, the poem is still printed in many anthologies, and there is a good reason why. The poem is a wonderful example of what’s called imagism. Since each line looks like a wheelbarrow, the full effect isn’t given by a simple reading of the poem out loud.
William Carlos Williams wrote the poem “The Red Wheelbarrow”. Each two-line stanza in this poem looks like a wheelbarrow. The first line is longer than the second, creating an image of a wheelbarrow. Well, a very crude image, but an image of a wheelbarrow all the same. Interestingly enough, the original title of the poem wasn’t “The Red Wheelbarrow”.
When it was first published, it was called “XXII”, which is the roman numeral for 52.
Anyway, the poem is still printed in many anthologies, and there is a good reason why. The poem is a wonderful example of what’s called imagism. Since each line looks like a wheelbarrow, the full effect isn’t given by a simple reading of the poem out loud.
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